gloria film review

The nowhere bus, ultimately, colors in with a sea of pink “pussy’ hats and the real Steinem, en route to the 2017 Women’s March in Washington – a genuinely inspiring show of feminist activism whose many rough edges and various hues are, like Steinem’s biography in The Glorias, leached of their power in favor of an easy story. Why edit half the scene in color, half in black and white, like the early iPhoto effects of the mid-2000s? And while there’s a continuity to the performances—the hair, the voice, those signature, oversized aviator glasses—each actress imbues her role with a specific vibe and edge as Steinem evolves. I wish all the different ideas at play were more cohesive, and quite frankly, better done. Even though Gloria sees the "handwriting on the wall" she has to decide whether she will succumb to this hurtful environment or return to her lonely existence. She's terrific, and manages to convey both a genuine sense of intuition and a vivacious sense of loving life at the same time. Avoiding … In … At the center is Steinem—still with us and still fighting at age 86. Sitting side by side, the wind in their center-parted hair, Vikander-as-Steinem laments to Moore-as-Steinem that she wishes she’d spoken up and fought back more when male colleagues and editors discouraged, objectified harassed her. R , 1h 49m. Sie war in den 1940er Jahren künstlerisch und in den 1950er Jahren wirtschaftlich die grösste Konkurrentin der Praesens-Film. Steinem’s long life and career (she is now 86 years old) as a journalist, second-wave feminist leader and the co-founder of Ms Magazine in 1972 has been trailblazing and often heroic, if not immune to critique. Just when you think she’s heading into cliched territory, Taymor mixes it up, plays with structure, and subverts your expectations. She mentions that his name is David and we briefly see them wed in a traditional Cherokee ceremony, but that’s it. Gloria ein Film von Sidney Lumet mit Bobby Cannavale, Sarita Choudhury. Auf DVD und Blu-Ray For the most part, she’s successful. But Steinem’s mother also had been a promising journalist—albeit under a male pseudonym, an unfortunate necessity back then—which lays the groundwork for her own path. The Glorias Director: Julie Taymor Page Fifty-Four Pictures Streaming on Video on Demand and Amazon Prime: 09.30. Christy reviewed films for The Associated Press for over 14 years. There doesn’t seem to be a reason other than to gesture at depth – one of many baffling artistic choices that turn a nearly two-and-a-half-hour film on what should be a fascinating, mettlesome, complicated character study into an uneven, trite and at times laughably shoddy mess. Gloria movie reviews & Metacritic score: When a young boy's family is killed by the mob, their tough neighbor Gloria becomes his reluctant guardian. Read her answers to our Movie Love Questionnaire here. A director needs a gimmick like a fish needs a bicycle. The film is properly paced and never feels too long or too short. Published February 23rd 2014. Most insidiously, it recasts Steinem’s hard-won political evolution into a hero’s journey of magical discoveries, in which she absorbs an intersectional approach through boldly stated themes said by people of color, then exhibits her exceptionalism by merely listening. Lorraine Toussaint and Julianne Moore in The Glorias. And sadly, what she has to say is just as relevant now as it was 50 years ago. Working from a script she co-wrote with Sarah Ruhl, based on Steinem’s autobiography My Life on the Road, Taymor hops around in time between Steinem’s youth in Toledo, Ohio and her worldwide travels in her 20s through the beginnings of her writing career and her key role in the women’s liberation movement of the 1960s and ‘70s. The site's consensus is "Marvelously directed by Sebastian Lelio and beautifully led by a powerful performance from Paulina Garcia, Gloria takes an honest, sweetly poignant look at a type of character that's all too often neglected in Hollywood." Interview: Garrett Bradley on Exploring Human Dimensionality in Time. Running time: 139 MIN. by Richard Leathem . Gloria ein Film von Sebastián Lelio mit Paulina García, Sergio Hernandez. Why edit half the scene in color, half in black and white, like the early iPhoto effects of the mid-2000s? The Chilean … Film Reviews . The movie adheres to that road, but makes it way more of an uphill climb. A review of The Glorias, a Gloria Steinem biopic in which Julianne Moore and Alicia Vikander are among the multiple actors who play the feminist icon. Specifically, we see men ask her why she isn’t married in a series of interviews; naturally, she bristles. Also noteworthy is John Tuturro in the film's … It’s a shame, because the bantering of The Glorias has at its core a worthwhile message: that a woman can grow into owning her choices, and can synthesize her personal experiences into a coherent, expansive political philosophy. Julie Taymor’s film on the multiple life stages of the defining feminist turns what should be a fascinating character study into an embarrassing disaster, Last modified on Tue 29 Sep 2020 10.41 BST. A topic that crops up throughout the movie is Steinem’s choice to remain single at a time when women were expected to get married and have children. America,” to revisit this tumultuous era from Steinem’s perspective. (Steinem was married to David Bale, entrepreneur and environmental activist and the father of Christian Bale, from 2000 until his death in 2003.) They’re all engaging scene stealers in showy, entertaining roles. Fond of food. Gloria Steinem has lived such a long and significant life that it takes four actresses to play her—including two Oscar winners—in “The Glorias.” That device of having multiple performers portray the veteran journalist and activist, and sometimes even having them engage in conversations with each other, is the most effective element of director Julie Taymor’s effort to encompass a whole, complicated life while also avoiding traditional biopic tropes. Review: This Is Not a Movie Is a Smart, Clear-Eyed Tribute to Robert Fisk. The costumes are also key to the portrayal of other larger-than-life feminist figures including Bette Midler as former Congresswoman Bella Abzug, Lorraine Toussaint as lawyer Flo Kennedy and Janelle Monáe as Ms. Magazine co-founder Dorothy Pitman Hughes. Also, I thought the explicit sex scenes and graphic nudity seemed to be more often … In the Chilean film “Gloria,” directed by Sebastián Lelio, a heroine in her late 50s embraces passion and romance. Production: A Page Fifty-Four Pictures production. There doesn’t seem to be a reason other than to gesture at depth – one of many baffling artistic choices that turn a nearly two-and-a-half-hour film on what should be a fascinating, mettlesome, complicated character study into an uneven, trite and at times laughably shoddy mess. Four iterations of Steinem at different ages – child (Ryan Kiera Armstrong), teen (Lulu Wilson), young woman (Alicia Vikander), and middle-aged (Julianne Moore) – sit on an old Greyhound bus going … somewhere, each shaded a strange and uncomfortably wan gray against the colorful scenery out the window. Another film might have mined Steinem’s remarkable life for its complications and contradictions, but The Glorias settles for slapdash iconography – Steinem picks out her signature aviators because as a saleswoman laments they “hide your beautiful face”, and declares “Martin Luther King is leading his civil rights march on Washington. Review: Honest Thief Is a Dried-Out Rehash of the Liam Neeson Actioner. In Theaters: Jan 17, 2014 Limited. Rated R The Glorias review – Gloria Steinem biopic is a laughably shoddy mess. Black feminist leaders such as Dorothy Pitman Hughes (Janelle Monáe) and Flo Kennedy (Lorraine Toussaint), labor rights leader Dolores Huerta (Monica Sanchez), and Native American activist and real-life best friend Wilma Mankiller (Kimberly Guerrero) serve merely as imparters of wisdom quickly huddled under Steinem’s star power rather than complicating, sparring minds of their own. The cinematography from the great Rodrigo Prieto (who also shot Taymor’s “Frida”) gives each of these eras a lush and distinctive texture, and the use of stark black and white provides a striking contrast as the various Glorias chat on the bus. The 75 Best Horror Movies of the 21st Century . Gloria is a divorced woman in her late fifties who still enjoys the active aspects of life and who find companionship, love even, in the 65-years-old Rodolfo. Gloria movie reviews & Metacritic score: Gloria is a "woman of a certain age" but still feels young. 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